Mary Ann returns to present-day San Francisco and is reunited with her daughter and ex-husband, twenty years after leaving them behind to pursue her career. Fleeing the midlife crisis that her picture-perfect Connecticut life created, Mary Ann is quickly drawn back into the orbit of Anna Madrigal, her chosen family and a new generation of queer young residents living at 28 Barbary Lane.
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Set against the backdrop of a hit dating competition show, “UnREAL” is led by Rachel, a young staffer whose sole job is to manipulate her relationships with and among the contestants to get the vital dramatic and outrageous footage the program’s dispassionate executive producer demands. What ensues is a humorous, yet vexing, look at what happens in the world of unscripted television, where being a contestant can be vicious and producing it is a whole other reality.
As the world is in the middle of an industrial revolution, a monster appears that cannot be defeated unless its heart, which is protected by a layer of iron, is pierced. By infecting humans with its bite, the monster can create aggressive and undead creatures known as Kabane. On the island Hinomoto, located in the far east, people have built stations to shelter themselves from these creatures. People access the station, as well as transport wares between them, with the help of a locomotive running on steam, called Hayajiro. Ikoma, a boy who lives in the Aragane station and helps to build Hayajiro, creates his own weapon called Tsuranukizutsu in order to defeat the creatures. One day, as he waits for an opportunity to use his weapon, he meets a girl named Mumei, who is excused from the mandatory Kabane inspection. During the night, Ikuma meets Mumei again as he sees Hayajiro going out of control. The staff on the locomotive has turned into the creatures. The station, now under attack by Kabane, is the opportunity Ikoma has been looking for.
The story of Violetta, a young woman who flees her native Mexico to start anew in New York City. But instead of a living a dream, Violetta is awoken to a harsh reality when she runs out of money, sending her into the arms of the villainous Nefastófeles.
Arslan is the heir apparent of Pars, a strong nation that sits at the hear of the trade route connecting the East and the West. When the pagan nation of Lusitania begins an invasion of Pars, the timid Arslan is confronted with battle for the first time. His worst anxieties are realized the Parsian army falls for a Lusitanian stratagem and are routed. He barely escapes with his life, thanks to the loyal and indomitable warrior Daryun. Together they will stand against the invasion and the cruelties of fate that are about to blow down on Pars.
The chaotic and violent struggle to control wealth and power in the North American fur trade in late 18th century Canada. Told from multiple perspectives, Frontier takes place in a world where business negotiations might be resolved with close-quarter hatchet fights, and where delicate relations between native tribes and Europeans can spark bloody conflicts.
Homicide: Life on the Street is an American police procedural television series chronicling the work of a fictional version of the Baltimore Police Department’s Homicide Unit. It ran for seven seasons on NBC from 1993 to 1999, and was succeeded by a TV movie, which also acted as the de facto series finale. The series was originally based on David Simon’s book Homicide: A Year on the Killing Streets. Many of the characters and stories used throughout the show were based on events depicted in the book, which was also part of the basis for Simon’s own series, The Wire on HBO.
Although Homicide featured an ensemble cast, Andre Braugher emerged as the series’ breakout star through his portrayal of Frank Pembleton. The show won Television Critics Association Awards for Outstanding Achievement in Drama in 1996, 1997, and 1998. It also became the first drama ever to win three Peabody Awards for best drama in 1993, 1995, and 1997. In 1997, the episode “Prison Riot” was ranked No. 32 on TV Guide’s 100 Greatest Episodes of All Time. In 2007, it was listed as one of Time magazine’s “Best TV Shows of All-TIME.” In 1996 TV Guide named the series ‘The Best Show You’re Not Watching’. The show placed #46 on Entertainment Weekly’s “New TV Classics” list.
Extreme Makeover: Home Edition is an American reality television series providing home improvements for less fortunate families and community schools. The show is hosted by former model, carpenter and veteran television personality Ty Pennington.
Each episode features a family that has faced some sort of recent or ongoing hardship such as a natural disaster or a family member with a life-threatening illness, in need of new hope. The show’s producers coordinate with a local construction contractor, which then coordinates with various companies in the building trades for a makeover of the family’s home. This includes interior, exterior and landscaping, performed in seven days while the family is on vacation and documented in the episode. If the house is beyond repair, they replace it entirely. The show’s producers and crew film set and perform the makeover but do not pay for it. The materials and labor are donated. Many skilled and unskilled volunteers assist in the rapid construction of the house.
EM:HE is considered a spinoff of Extreme Makeover, an earlier series providing personal makeovers to selected individuals, which the Home Edition has now outlasted. This show displays extreme changes to help recreate someone’s space. However, the format differs considerably; in the original Extreme Makeover, for instance, participants were not necessarily chosen based on any recent hardship, whereas the family’s backstory is an important component of Home Edition. EM:HE also has similarities to other home renovation series such as Trading Spaces, on which Pennington was previously a key personality.