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In an allegorical female driven film that intimately explores the idea of growing beyond violence, a tight-knit group of vampires crashes into the twenty-first century when their master awakes from decades of sleep.
40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrive, awakening the house’s darkest inhabitant.
Megan, a successful Irish artist, lives in Dublin with her husband Leo, an Italian who emigrated there several years ago. After receiving the news of the death of Leo’s uncle, Monsignor Domenico, a powerful catholic priest whose death has prompted a campaign for his beatification , the couple travels to Apulia, in southern Italy, to handle Leo’s unexpected inheritance.
Edwin has a dark obsession with drawing spiders. His mother does her best to curb his increasingly odd behavior, but unbeknownst to her, a terrifying mystery will soon be solved with the help of these sinister drawings.
The zombie apocalypse has been and gone. Nine months later, James Fisher (Christopher Clarke) survives alone in a deserted Coventry, immune to the virus that has ended the world. But then, another survivor appears from nowhere. The emotional conflict this brings is harder to deal with than the hordes of nocturnal undead.
A rookie cop’s world is turned upside down when she comes face to face with Paymon – King Of Hell. Officer Jessica Loren has the last shift at a transitioning police station, assigned to wait for a crew picking up bio-hazard waste from the armoury. But unbeknownst to her, cult leader John Michael Paymon has haunted the department ever since he committed suicide in custody. Jessica is about to find out just how dangerous he still is, all alone on the graveyard shift………….