When Bruce Chatwin was dying of AIDS, his friend Werner Herzog made a final visit. As a parting gift, Chatwin gave him his rucksack. Thirty years later, Herzog sets out on his own journey, inspired by Chatwin’s passion for the nomadic life, uncovering stories of lost tribes, wanderers and dreamers.
Mikhail Gorbachev, former president of the Soviet Union, sits down with filmmaker Werner Herzog to discuss his many achievements. Topics include the talks to reduce nuclear weapons, the reunification of Germany and the dissolution of his country.
In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions.
Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.
An alien narrates the story of his dying planet, his and his people’s visitations to Earth and Earth’s self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.
A chronicle of Gertrude Bell’s life, a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire at the dawn of the twentieth century.
Werner Herzog’s documentary film about the “Grizzly Man” Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man’s attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Ghoulish Count Dracula lures a naive estate agent, Jonathan Harker, to his decaying Transylvanian castle with the promise of easy money. But when he spies a portrait of the man’s beautiful young wife Lucy, the vampire becomes obsessed and sets in motion their destruction.
Terrence McDonagh, a New Orleans Police sergeant, who starts out as a good cop, receiving a medal and a promotion to lieutenant for heroism during Hurricane Katrina. During his heroic act, McDonagh injures his back and later becomes addicted to prescription pain medication. McDonagh finds himself involved with a drug dealer who is suspected of murdering a family of African immigrants.
Brad (Michael Shannon) has committed murder and barricaded himself inside his house. With the help of his friends and neighbours, the cops piece together the strange tale of how this nice young man arrived at such a dark place; Based on a true story, this gripping and unnerving blend of deadpan comedy, melodrama and raw tragedy is fleshed out by an expert cast, including Willem Dafoe and Chloe Sevigny
Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France, capturing the oldest known pictorial creations of humankind in their astonishing natural setting.
Werner Herzog and volcanologist Clive Oppenheimer embark upon a global journey exploring some of the world’s most mythical volcanoes in Indonesia, Ethiopia, Iceland and North Korea. Speaking with scientists and indigenous peoples alike, they seek to understand the complex and deeply rooted relationship between mankind and one of nature’s greatest wonders.
Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent’s unique locations. Herzog’s voiceover narration explains that his film will not be a typical Antarctica film about “fluffy penguins”, but will explore the dreams of the people and the landscape.
In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), legendary filmmaker Werner Herzog achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
Fitzcarraldo, a dreamer who plans to bring opera and Enrico Caruso to the South American jungles. With limited funding, he must figure out how to finance the opera house, and ultimately decides to capitalize on South America’s rubber production. He discovers a hidden forest of rubber trees that is well protected by rapids, but the only way to get there is via a river on the other side of a small group of mountains. Fitzcarraldo therefore hires natives to pull his steamship over the mountain.
A fearsome 19th century bandit, Cobra Verde cuts a swath through Brazil until he arrives at the sugar plantation of Don Octávio Countinho. Not knowing that his new guest is the notorious bandit and impressed by his ruthless ways, Don Octávio hires Cobra Verde to oversee his slaves. But when Cobra Verde impregnates Don Octávio’s three daughters, the incensed plantation owner exiles the outlaw to Africa where he is expected to reopen the slave trade. Following his trans-Atlantic journey, Cobra Verde exploits tribal conflicts to commandeer an abandoned fortress and whips an army of naked warriors into a frenzied bloodlust as he vies for survival.
A scientist blames the head of a large company for an ecological disaster in South America. But when a volcano begins to show signs of erupting, they must unite to avoid a disaster.