Albert Maysles

Iris

Iris

Iris

IMDb: 7.9
2014
83min

IRIS pairs legendary 87-year-old documentarian Albert Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how, even in Iris’ dotage, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment.

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The Beales of Grey Gardens

The Beales of Grey Gardens

The Beales of Grey Gardens

IMDb: 7.7
2006
91min

Mother and daughter – Big Edie and Little Edie Beale – live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter’s behavior, and sings “If I Loved You” in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there’s a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She’s ashamed that local authorities raided the house because of all the cats. She values being different.

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Gimme Shelter

Gimme Shelter

Gimme Shelter

IMDb: 7.9
1970
90min

The landmark documentary about the tragically ill-fated Rolling Stones free concert at Altamont Speedway on December 6, 1969. Only four months earlier, Woodstock defined the Love Generation; now it lay in ruins on a desolate racetrack six miles outside of San Francisco.

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Grey Gardens

Grey Gardens

Grey Gardens

IMDb: 7.7
1975
105min

This film explores the daily lives of two aging, eccentric relatives of Jackie Kennedy Onassis. Edie Bouvier Beale and her mother, Edith, are the sole inhabitants of a Long Island estate. During the course of the documentary, they discuss their habits, desires and former loves with filmmakers Albert and David Maysles. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

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