This documentary follows a team of local archaeologists excavates never before explored passageways, shafts, and tombs, piecing together the secrets of Egypt’s most significant find in almost 50 years in Saqqara.
A young man, Mohammed Al Kassim, is frustrated by the number of injustices . He decides to make a difference. He fights through his enemies and eventually gets to the root of all evil in the land of Sind – the tyrant King Daher.
When British aid worker Hana returns to Luxor, a sleepy city on the banks of the Nile, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.
Yehia, known as Pharaoh, reassembles a group of six of his old friends, each with a unique combating skill, to travel to Syria under the pretense of bounty hunting. Their real mission is to save his kidnapped son from the hands of Franco and his ISIS gangsters after they assaulted Syrian refugees, including Yehia’s wife, and took away the children to a district that is currently under his control.
An Egyptian gangster, El Ott, divorced his wife, Salma, and left the family soon after his daughter, Amina, was mysteriously kidnapped and lost in Cairo. El Ott discovers that Fathi, a human and organ trafficking monster boss, has recently kidnapped street children from his neighborhood, in order to sell their organs.
A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there’s no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: “Is this foundation event of the Bible really just a myth?” He embarks on a 12-year journey around the world to search for answers. Patterns of Evidence: The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history. It features stunning animations, narration by Kevin Sorbo (God’s not dead, Hercules: The Legendary Journey), interviews with leading archaeologists such as Israel Finkelstein, Kent Weeks, and David Rohl, and guest appearances by Israel’s Benjamin Netanyahu and Shimon Peres.
Psychiatrist Dr. Yehia returns to El-Abbaseya Hospital five years after the death of his family. His return coincide with the arrival of a new patient, Sherif, a friend from college, who is accused of murder.
On a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by land mines and only reachable by a small bridge. As civil strife engulfed the country, the women in the village learn of this fact and try, by various means and to varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.
While challenging common beliefs on the history of civilization, the film takes the audience back to 12 thousand years ago, to Gobeklitepe, an ancient site recently found in SanliUrfa, Turkiye. With its brilliant graphics and interviews with experts, the film shows how old taboos come tumbling down as we keep scratching the surface.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
Documentary – War zone borders, engine trouble and the difficulties of making money to survive couldn’t outweigh the thrill of adventure and discovery Daniel Rintz encountered while motorcycling around the world for two and a half years.
(Khaled Degwy) who are enrolled in one of the terrorist groups that the killings, believing they are fighting for the sake of God, and when his brother (Ahmad) tries to join this group (Khaled) refuses, he is trying to stop him, but he joins, and one day arise a dispute between (Ahmad) and one of the members of this community, (Ahmed) get killed, (Khalid) go mad who seeks revenge against the group, the same moment the issue Answer the arrest of the police against (Khaled).
During the 1940s, a girl was raped by a group of English soldiers, and three young Egyptians retaliate. The British soldier is being held at the Karamouz police station in Alexandria, headed by General Youssef al-Masri (Amir Karara). General Frank Adams demands that the English soldier be handed over to him, but Yusuf refuses. The British army is led to block the police station, and enters a fierce confrontation with General Yusuf and the rest of the Egyptian soldiers.
Sara lived a seemingly normal life before she had a Ouija board experience that unleashed a dark spirit. The spirit wants Sara to relive it’s tortured past, and compels her to commit murder towards one of her family members or loved ones. Sara resists these threats and tries to stand against the power but she’s forced to either watch her loved ones die one after the other, or obey the spirit and kill only one of them herself, as the spirit had done to her own son, long before. Sara must kill only one, and face the regret and pain of committing murder, or watch everyone around her die.
Samsara is a word that describes the ever turning wheel of life. It is a concept both intimate and vast – the perfect subject for filmmakers Ron Fricke and Mark Magidson, whose previous collaborations include Chronos and Baraka, and who, in the last 20 years, have travelled to over 58 countries together in the pursuit of unique imagery. Samsara takes the form of a nonverbal, guided meditation that will transform viewers in countries around the world as they are swept along a journey of the soul. Through powerful images pristinely photographed in 70mm and a dynamic music score, the film illuminates the links between humanity and the rest of the nature, showing how our life cycle mirrors the rhythm of the planet.
The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.
Fa Mulan gets the surprise of her young life when her love, Captain Li Shang asks for her hand in marriage. Before the two can have their happily ever after, the Emperor assigns them a secret mission, to escort three princesses to Chang’an, China. Mushu is determined to drive a wedge between the couple after he learns that he will lose his guardian job if Mulan marries into the Li family.
LIVING IN THE AGE OF AIRPLANES offers a fresh perspective on a modern-day miracle that many of us take for granted: flying. Narrated by Harrison Ford and featuring an original score from Academy Award® winning composer James Horner, the film takes viewers to 18 countries across all seven continents to illuminate how airplanes have empowered a century of global connectedness our ancestors could never have imagined.